Having used word processors back when control characters had to be buried right in the text, and there was no WYSIWIG (what you see is what you get) and little print preview, I found Lilypond refreshing While I suspect that someone who does a deep dive into Lilypond can get pretty efficient with it, I also suspect that it has the largest learning curve before getting to that point, probably by a lot. The interface is a pretty big hurdle, though, especially for people who don't have a software programming background. Quote from: Andrew Meronek on Apr 19, 2017, 03:29PMI may be going out on a limb here, but from what little I've seen of Lilypond, I suspect that it is potentially the best-looking of all of them, including via note-spacing. I may be going out on a limb here, but from what little I've seen of Lilypond, I suspect that it is potentially the best-looking of all of them, including via note-spacing. Sibelius and Finale are well accepted by the "professional" community while Lilypond and Musescore are good ways to "get your feet wet". Most don't have a multi-bar rest.īut as you learn to become facile, you learn to deal with the quirks and idiosyncrasies of the program. Setting up untimed measures like cadenzas is cumbersome. My usual complaint about most of them (including Encore and Finale) is that they have awful note spacing - placing the notes in the fraction of the measure they occupy (so a half note takes half the measure and 4 eighth notes take up the other half - making them very hard to read). Quote from: BGuttman on Apr 19, 2017, 10:28AMHaving gone through several over the years, I have found that each has a steep learning curve and you lose facility unless you use it a lot. Not a feature that most people would care about, though. One thing that I think is actually superior in Musescore compared to Sibelius is pitch-bending, which is handled a lot cleaner in Musescore, at least from an easy-to-use standpoint. I really miss the great auto-collision avoidance in Sibelius, and the auto-part generation from scores. I like the Sibelius note entry more, although to be fair, Sibelius' note entry is one of the best in the industry. It is inferior software to Sibelius, but not to such a degree that it's "bad". There are notable differences in the interface, so it took me a couple of days to figure out many of the quirks. The various standard notational tools are fairly easy to get to, once I have started figuring out the interface. My observations so far:įor free software, there's more there than I expected. Download RetractLineEnds.The title says it all, but I recently got myself forced into trying out something non-Sibelius after frying my motherboard.Included Max retractable offset in the saved preferences. This gives more flexibility to handle scores where something went wrong. If you specify 256 ticks it will retrace line ends up to a quarter not from the start, and 512 will pick up lines up to a half note out. The default offset, which is also the minimum offset and the previous fixed offset, is 1 tick, which picks up lines that just barely overflow the barline. Added ability to specify an offset in ticks, which are 1/256 of a quarter note. Updated to handle Highlights, and added checkboxes to hide the result message box and to hide the dialog so you can run without interruptions. If the selection is a passage selection, any system lines in the selection range will be processed otherwise only selected lines will be processed. The plugin can process all selected lines, or just lines of specified types. The line will then terminate at the end of the previous bar. Pulls back the right end of lines that end at the start of the next bar. For use with Sibelius 6, Sibelius 7.1, Sibelius 7.5, Sibelius 8.x, Sibelius 18.x, Sibelius 19.x, Sibelius 20.x, Sibelius 21.x, Sibelius 22.x, Sibelius 23.x and Sibelius 24.x
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